Given the advertised duration for the event, I knew the “hike” would be a short one. With rain in the forecast, I thought I might be the only person who would show up—and the hosts might wish I'd stayed home, like everyone else.
Ha! More than 20 people turned out. The group met at the museum and chatted over coffee, tea, and pastries before setting out.
Fittingly for a nature outing, we gathered near a different exhibit featuring embroidered renderings of endangered plants (the lost ones: iterations and murmurs, by Liz Harvey).Rain didn't fall (nor did people fall) as we made our way along a sometimes-muddy, sometimes-uphill stretch of the Flume Trail before retracing our steps to the museum.
A grumpy old man came barreling down the trail and scowled “You can't block the trail!” Our guide rolled his eyes, and someone in the group quietly chuckled “Oh yes we can” as people politely stepped aside.Our guide had suggested that we imagine the noise of the freeway as the sound of the ocean, instead; which, oddly enough, sort of works. He encouraged us to take in more of the world around us—advice that would certainly have benefited a certain grumpy old man. Our guide even shared a few magnifying glasses for getting a closer look at small things along the trail. Our group was clearly a mix of art lovers and nature lovers, and I was surprised at how engaged everyone was.
What I didn't expect from this event was to be culturally enriched. The artist focused on the techniques used to create the work, insisting that she doesn't work conceptually. But the people around me were adept at teasing out themes that had seemed hidden to the artist herself.
I wasn't the only one who saw a deeper meaning in The Wood, featuring a colorless, transparent outline of a woman in high heels striding toward, and merging with, a vibrant natural landscape.A poem by Wendell Berry (The Peace of Wild Things) was placed next to one of the works.
For a time
I rest in the grace of the world, and am free.
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