Exotica

I never imagined I would find a place to park this car where it would hardly be noticed. A place where ... well, it just blends in.

The hard-core enthusiasts stake out their turf early. The sky was barely light and the fog was misting low when one guy strategically planted his tripod to capture the cars streaming into the Laguna Seca Golf Ranch for the 25th anniversary Concorso Italiano.

Was it the same guy on that same corner in the evening, waiting for the last cars to stream back out? I patiently waited my turn at the traffic light, no cutting into the flow by turning right-on-red, even though ... well, I could have. Green light. Pause. Turn. Accelerate. Smile.

So many people. So many cars. So many great photo opportunities. Somehow I failed to shoot a single proper Alfa Romeo, the only other Italian marque I once had a chance to drive. The Ferraris were staged with precision, carefully spaced with marks on the grass.

What is that F50 doing here?
These are the F40s, he has to move!

Inevitably, there would be an announcement like this one:

We have a report that a vehicle is blocking a roadway.
It is a Lincoln Navigator.
You need to move your car, or ...

Complete the sentence, you know the drill. It will be towed, right? No.

... it will be set on fire.

At the end of the day, one of my friends asked me which car was my favorite. "It is so hard to choose," I replied.

I thought of the jaunty Fiat Jolly, with its wicker seats and ball-trimmed canvas roof.

The light blue Bianchina, rolling in again this year with three guys and their picnic—including their umbrella, table, and chairs.

The classic exotics, lovingly restored.

The cars that are driven, for that is why the cars were made.

The answer, of course, is obvious.
The one that I drove home.